A Popular History Of The Art Of Music;From the Earliest Times Until the Present From the Earliest Times Until the Present

Stok Kodu:
9786257462341
Boyut:
135-210-0
Sayfa Sayısı:
441
Baskı:
1
Basım Tarihi:
2021-07-01
Kapak Türü:
Karton
Kağıt Türü:
Kitap Kağıdı
Dili:
İngilizce
14,20
9786257462341
588726
A Popular History Of The Art Of Music;From the Earliest Times Until the Present
A Popular History Of The Art Of Music;From the Earliest Times Until the Present From the Earliest Times Until the Present
14.20
“...The name “music” contains two ideas, both of them important in our modern use of the term: The general meaning is that of “a pleasing modulation of sounds.” In this sense the term is used constantly by poets, novelists and even in conversation—as when we speak of the “music of the forest,” the “music of the brook” or the “music of nature.” There is also a reminiscence of the etymological derivation of the term, as something derived from the “Muses,” the fabled retinue of the Greek god Apollo, who presided over all the higher operations of the mind and imagination. Thus the name “music,” when applied to an art, contains a suggestion of an inspiration, a something derived from a special inner light, or from a higher source outside the composer, as all true imagination seems to be to those who exercise it...”
“...The name “music” contains two ideas, both of them important in our modern use of the term: The general meaning is that of “a pleasing modulation of sounds.” In this sense the term is used constantly by poets, novelists and even in conversation—as when we speak of the “music of the forest,” the “music of the brook” or the “music of nature.” There is also a reminiscence of the etymological derivation of the term, as something derived from the “Muses,” the fabled retinue of the Greek god Apollo, who presided over all the higher operations of the mind and imagination. Thus the name “music,” when applied to an art, contains a suggestion of an inspiration, a something derived from a special inner light, or from a higher source outside the composer, as all true imagination seems to be to those who exercise it...”
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