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Crime and Punishment
18.64
Crime and Punishment is a novel by the Russian author Fyodor Dostoevsky. It was
first published in the literary journal The Russian Messenger in twelve monthly
installments during 1866 It was later published in a single volume. It is the second
of Dostoevsky's full-length novels following his return from ten years of exile in
Siberia. Crime and Punishment is considered the first great novel of his "mature"
period of writing. The novel is often cited as one of the supreme achievements in
world literature.
Crime and Punishment follows the mental anguish and moral dilemmas of Rodion
Raskolnikov, an impoverished ex-student in Saint Petersburg who plans to kill an
unscrupulous pawnbroker, an old woman who stores money and valuable objects in
her flat. He theorises that with the money he could liberate himself from poverty
and go on to perform great deeds, and seeks to convince himself that certain
crimes are justifiable if they are committed in order to remove obstacles to the
higher goals of 'extraordinary' men. Once the deed is done, however, he finds
himself racked with confusion, paranoia, and disgust. His theoretical justifications
lose all their power as he struggles with guilt and horror and confronts both the
internal and external consequences of his deed.
Crime and Punishment is a novel by the Russian author Fyodor Dostoevsky. It was
first published in the literary journal The Russian Messenger in twelve monthly
installments during 1866 It was later published in a single volume. It is the second
of Dostoevsky's full-length novels following his return from ten years of exile in
Siberia. Crime and Punishment is considered the first great novel of his "mature"
period of writing. The novel is often cited as one of the supreme achievements in
world literature.
Crime and Punishment follows the mental anguish and moral dilemmas of Rodion
Raskolnikov, an impoverished ex-student in Saint Petersburg who plans to kill an
unscrupulous pawnbroker, an old woman who stores money and valuable objects in
her flat. He theorises that with the money he could liberate himself from poverty
and go on to perform great deeds, and seeks to convince himself that certain
crimes are justifiable if they are committed in order to remove obstacles to the
higher goals of 'extraordinary' men. Once the deed is done, however, he finds
himself racked with confusion, paranoia, and disgust. His theoretical justifications
lose all their power as he struggles with guilt and horror and confronts both the
internal and external consequences of his deed.
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