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On The Sublime
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Speaking generally, it would seem that bombast is one of the hardest things to avoid in writing. For all those writers who are ambitious of a lofty style, through dread of being convicted of feebleness and poverty of language, slide by a natural gradation into the opposite extreme. “Who fails in great endeavour, nobly fails,” is their creed. 4 Now bulk, when hollow and affected, is always objectionable, whether in material bodies or in writings, and in danger of producing on us an impression of littleness: “nothing,” it is said, “is drier than a man with the dropsy.”
Speaking generally, it would seem that bombast is one of the hardest things to avoid in writing. For all those writers who are ambitious of a lofty style, through dread of being convicted of feebleness and poverty of language, slide by a natural gradation into the opposite extreme. “Who fails in great endeavour, nobly fails,” is their creed. 4 Now bulk, when hollow and affected, is always objectionable, whether in material bodies or in writings, and in danger of producing on us an impression of littleness: “nothing,” it is said, “is drier than a man with the dropsy.”
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