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The Travels of Marco Polo
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The Travels of Marco Polo, is a 13th-century travelogue written down by Rustichello da Pisa from stories told by Italian explorer Marco Polo, describing Polo's travels through Asia between 1271 and 1295, and his experiences at the court of Kublai Khan. The book was written by romance writer Rustichello da Pisa, who worked from accounts which he had heard from Marco Polo when they were imprisoned together in Genoa. Rustichello wrote it in Franco-Venetian, a cultural language widespread in northern Italy between the subalpine belt and the lower Po between the 13th and 15th centuries. It was originally known as Livre des Merveilles du Monde or Devisement du Monde (“Description of the World”). The book was translated into many European languages in Marco Polo's own lifetime, but the original manuscripts are now lost, and their reconstruction is a matter of textual criticism. A total of about 150 copies in various languages are known to exist, including in French, Tuscan, two versions in Venetian, and two different versions in Latin. From the beginning, there has been incredulity over Polo's sometimes fabulous stories, as well as a scholarly debate in recent times. Some have questioned
The Travels of Marco Polo, is a 13th-century travelogue written down by Rustichello da Pisa from stories told by Italian explorer Marco Polo, describing Polo's travels through Asia between 1271 and 1295, and his experiences at the court of Kublai Khan. The book was written by romance writer Rustichello da Pisa, who worked from accounts which he had heard from Marco Polo when they were imprisoned together in Genoa. Rustichello wrote it in Franco-Venetian, a cultural language widespread in northern Italy between the subalpine belt and the lower Po between the 13th and 15th centuries. It was originally known as Livre des Merveilles du Monde or Devisement du Monde (“Description of the World”). The book was translated into many European languages in Marco Polo's own lifetime, but the original manuscripts are now lost, and their reconstruction is a matter of textual criticism. A total of about 150 copies in various languages are known to exist, including in French, Tuscan, two versions in Venetian, and two different versions in Latin. From the beginning, there has been incredulity over Polo's sometimes fabulous stories, as well as a scholarly debate in recent times. Some have questioned
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